In her book Kateusz is able to expose “the intentional scribal activity associated with the redaction of the markers of female religious authority, the attempt to erase the memory of powerful historical women has weakened.”
I’m resisting language in many ways and I’m seeking to find that language that expresses something more. At the end of the day, I don’t think what we do changes who God is, but what we say about it changes how people view God.
The key is receptivity, the willingness to accept the invitation into stillness—the stillness that is at the center of all movement—and to become immersed in it. Stillness is not death; on the contrary, it is a quality of presence, pure and alive. In fact, it's perhaps only in the heart of stillness that life truly lets itself be known and delighted in.
What makes this book so extraordinary is that the author is not only humble and patient and curious enough to allow herself to explore what lies beyond and within the events of her life, but she is also articulate enough to allow the reader the opportunity to witness this internal process
Wonder Woman is truly a divine feminine myth for our day, filled with beautiful truths empowering for people everywhere. As we experience this narrative, may we find our inner feminine divine and join Dianna as love saves the world.
I view this piece and know I can gather the hurting world in my womb. I can allow my feminine-specific suffering under patriarchy to be the conduit for my passionate pursuit of justice and my spark of love I extend toward others. For truly, I am the arms stretched out inside the fallopian tubes. The darkest night of my soul under patriarchy can become the very hope for others to find light.
My first listen to this album was during the commute between my hospice patients’ homes. I was reminded that there are many points of light and joy in a world that seems so dark and inhospitable to the people of God. We hold on to "The Slender Thread" of our faith and hope, because love always calls us back. Always.
Her essays in this volume are thought provoking, the golden prize being her commencement address this past June at her alma mater. She offered three lessons for life: “be kind, be true, and pay attention.” In her essay “Miracle, Light and Considerable Magic” (p. 70), she refers to “the mysterious nature of the Sacred,” the Light that appears in daily moments.
Mary Magdalene is a person in her own right. Her real story is remarkable, and can be uncovered through the accurate interpretation of scripture. Mary Magdalene is featured in the New Testament more than any other women, with the exception of Mary, the Mother of Jesus; she’s mentioned in 14 different verses.
Centering Hagar Poems on Hajar’s tale, a problematic moment in sacred narrative, the profusion of viewpoints contributes to Kahf’s nuanced approach. Looking at Hajar from her own point of view, as Sarah and Abraham see her, in anger, in forgiveness, as heroine, foremother, and exile, Kahf shows how the different sides of the story have much to say to one another.
I am so thankful for the honor given to these biblical women by these poems. This collection, spoken through the voices of women in both testaments, puts flesh and energy into what have too often become stale stories from our early Sunday School days—if we heard them there at all.
We encounter the women’s suffrage movement in Britain through the eyes of a fictional young woman working in an industrial laundry about 1911–13. Maud Watts is movingly portrayed by Carey Mulligan as she transforms from an overworked laborer, wife, and mother into a woman repeatedly jailed for attending demonstrations.
For Gabriel, Sophia is a threefold Goddess who rules the past, present, and future. As the sevenfold Goddess, she rules time and the planets in the solar system as well as the seven organs in the human body. And as the twelvefold Goddess, She is the collective consciousness of humanity...
It’s like a sweet cup of a caramel macchiato. The silence of the first snowfall. A porch swing on a perfect spring day. A breeze carried from the surf across your beach blanket. These are the inviting images that came to me as I listened to Carrie Newcomer’s newest album, A Permeable Life. This is Newcomer’s twelfth album, and it will not disappoint those of us who enjoy her music.
Skillfully Dr. Welling describes the mutual enlightenment that stems from studying Blake's drawings in conjunction with his words. And Welling explains why certain misunderstandings of Blake have arisen, such as the charge of misogyny, showing that a deeper grasp of Blake's symbols reveals his belief in the equality of women with men.
The combination of engaging fictional narrative with the outlines of the historical record provide an enjoyable means of learning more about the Grimké sisters, the early abolitionist movement, and the early women’s rights movements during this period.
That to me is Her strength, the strength of God. It's not the strength required to shock or kill, manipulate or destroy, but rather the strength required to contain Her creation and the Light of Love for millennia, despite our efforts to usurp and degrade the meaning of All That Is.
One rarely encounters a suspense novel in which the protagonist reminisces about insights from C. S. Lewis and the Bible and gets intimately involved with the mysterious woman who is helping him relearn his Spanish, but it's all here.
... in a class taught by Rachel Adler, Anton fell so in love with the Talmud that she has since written four novels about rabbis who broke with tradition by teaching their daughters the Talmud (i.e., the Oral law, including the Mishnah, that topically arranges all the laws from the Torah, and the Gemara, which records discussions about the meaning of the Mishnah).
'Hence, the controlling metaphor of The Accursed would seem to be that as long as people believe God is angry, totalitarian, and brutally unforgiving, their whole world takes on a vampirish, bloodthirsty, fearsome coloration."
With their sheer numbers and unprecedented consumerism, Baby Boomers are a coveted marketing segment. . . . Now that it’s lucrative to do so, we can finally start having a discussion in pop culture about aging and ageism.
The film Higher Ground is a story about a rational woman, Corinne Walker, trying to find some solid footing within the context of being literally immersed (baptism is the strong opening image in the film) within the subculture of evangelical fundamentalism.
This is a book of distilled wisdom. For me, the moment called "Aging" was especially poignant. It is certainly part of my life review at this period in my life. Reading and responding to the words here was invigorating. Also challenging.
Ron O'Grady has done the world a beautiful service in this collection of art and commentary. The arrangement of the book by the periods in Jesus' life make it a valuable resource for preaching and teaching--and as a book for use in meditation.
It is not often that one comes across a worship-related book so richly layered that it becomes a prized resource far beyond the parameters of corporate prayer. This volume, a treasure trove of both scholarship and artistry, is one of those.
Ultimately, Hawn concludes, the point of engaging in multicultural musical expressions "is not to 'feel good' but to feel again — feel a sense of the holy and an experience of community" which will move us, with all our sisters and brothers around the globe, to shout in renewed, "polyrhythmic" enthusiasm: Alleluia! and Amen!
Three threads of this story [there are many] seem especially powerful to me: (1) the conflict with the mother that starts when Ruth enters puberty; (2) the attempt through much of Ruth's life to pretend that her body doesn't matter; (3) the struggle to discover the life of the spirit through the mind alone.
Now the content of her previous books has become the air breathed by Sue's fully-drawn characters. My favorite is May, a woman so vulnerable that she builds her own private wailing wall where she can tuck in scraps of paper from her wounded life and suffering world.
In addition to the theme of women's friendships, both novels deal with the theme of choosing a religion... Clearly, the God that women worship and the communities in which women worship their God are unique and bind women, ancient and modern, together in Diamant's world.
The child-like wonder and delight in nature is recaptured, and the healing power of the Divine in nature comes through clearly in their words. Chickerneo refers to these times as finding those “metaphors-in-waiting,” and reflecting on them for self-discovery and understanding.
I have just retired from college teaching, but I wish I had had this book earlier to read prayers to my Bible classes. Each professor, teacher, worship leader, and preacher who cares about justice and contemporizing our scriptures could enrich their own tasks by using this book of prayers.
One day I profoundly needed comforting by God, and I needed to be sung a lullaby like a mother and child. So I started strumming around with lullabies in three-quarter time, and then I was thinking of images of God as my Mother, caring for me.
As theology or ethics, The Galilean Secret scores an A for its emphasis on internal reconciliation leading to external reconciliation. But as fiction, the plotting sometimes strains the reader’s credulity with some rather unlikely coincidences.
"I have been blessed with many images of the Divine which have helped me to pray and find comfort. But the one image that I return to, that I cling to when I am in my most desperate moments, is Mother. 'As a mother comforts her child, so I will comfort you,' God says in Isaiah 66:13."
She is saddened that so many fear and deny their bodies. "People 'stay in their heads' a lot to protect themselves," she said. "Rhythm gets us in touch with the unconscious and takes us out of our heads.
“Peace is built as men and women learn to have historical perspectives. Uncovering and recovering women’s stories can contribute to a more egalitarian, less domineering world. Stories of ancient women travelers give people today courage to travel. Women’s history is as important for men as for women”
The Emmaus story has always been one of my favorite New Testament stories. As the account unfolds, I think we quickly feel that we could be one of those disciples — sad, perplexed, needing to talk, amazed that anybody could be in the neighborhood and not know what has been going on.
But even as I finished the book, I sensed I was only touching the edges of it — the tassels on her magic carpet. MT's largeness of heart and ability to see and relate to Mystery goes beyond anything I can really apprehend. Yes, I understand something of the world of the Spirit, but I am too rational, too linear, too controlled to dive in with M.T.'s abandon.
The Help richly deserves its many weeks at the top of the New York Times best-seller list. Stockett, a white woman from Jackson, overcame her fear and tackled this tricky topic by creating the voices of three women whose lives are forever entangled and unforgettable.
[Gately's] life has been plagued with roadblocks erected by the Catholic hierarchy, self-doubt, and sometimes despair and periods of spiritual dryness. Yet, through it all, she has managed to maintain her dignity and become a truly gifted writer, poet, and speaker.
I think we like music that speaks for us. I often feel Carrie Newcomer's music speaks for me. But after listening to this album many, many times, I realize that it doesn't really speak for me as much as it speaks for all of us. Everything Is Everywhere defines the people we can someday become, and the loving Spirit we, as one people, will someday embody.
Singer-songwriter Carrie Newcomer's newest album, Before and After, features a collection of thirteen original compositions—including many contemplative, midlife songs that have grown out of Newcomer's reading and conversations with other spiritual people like Parker Palmer.
This quilt of text and music is not a warm, cozy listening experience, though. It is very challenging music and painful text, richly expressing the anger, despair, and, ultimately, courageous healing and hope of survivors of child sexual abuse.
This is singable, listenable hymnody that would be appropriate in traditional or contemporary worship services as much as in women's spirituality gatherings. The language and images are inclusive; the melodies are delightful, and the harmonies rich.
A central purpose of Kathryn's music is to help her listeners broaden their concept of God to include the truth of those scripture passages that speak of God as Mother. The songs on this CD fulfill that purpose admirably.
The music can be experienced on as many levels as there are moments and listeners, but ultimately the album captures Marg's anguish when she learned that although she was trained to be a church musician, in fact the church was not a safe or welcoming place for lesbian women like herself.
Lesson 23: "Second Timothy [is] the final letter attributed to the apostle Paul, and one which appears to unite and authenticate his entire corpus of thirteen epistles. But If you have followed the lessons of 1 Timothy and Titus, the other two of the three letters known as the “pastoral epistles,“ you become aware of a different tone or flavor as this letter begins.”
With a history dating from 1973, we are an international organization of women and men who believe that the Bible supports the equality of the sexes. We are Christian feminists. We are inclusive. We welcome you.
. . . taking the humanity of the Bible seriously in no way undercuts it message, nor should it result in fear that the Bible will lose its power or meaning if we recognize that people wrote it in specific times and places with specific points of view. Of course. But, this has been and continues to be the dividing line among contemporary Christians.